Sala Santa Cecilia
With its 2,744 seats, the Sala Santa Cecilia is one of the largest concert halls in Europe. It is designed for symphonic music, large orchestras and large choirs. Since it was built in 2002, the Auditorium has hosted the most prestigious names in jazz, rock and pop music.
The architectural features of the Sala Santa Cecilia give it a great visual impact, which is why it is requested by the most important multinational businesses as a venue for prestigious conferences. Particularly suitable for official ceremonies, this hall is perfect for hosting all high-profile events. The stage is positioned almost centrally, surrounded by seats set on cantilevered galleries that extend around the orchestra, allowing the speaker the opportunity to communicate in 360 degrees. The real conceptual innovation of the Sala Santa Cecilia is the suspended ceiling, which is made up of 26 cherry wood shells, covering a total area of over 4,000 square metres. The wood also covers the stalls and part of the galleries, providing exceptional acoustics, which can be adjusted using fabric curtains around the entire perimeter of the hall.
The dimensions of the stage can be seen in the attached plan.
The wooden, cherry-colored stage top can be covered with black felt if required.
The load, maximum, applicable to the stage floor is 400 kg/sqm.
The first part of the stage floor, up to a depth of 6.40 m, remains fixed. The back is movable. The modules, with the perimeter shown in the plan, can be raised and placed at different heights, taking on various configurations.
Screws and nails cannot be used to attach scenic elements to the floor.
LEFT + RIGHT FLY:
2 x 18 L’ACOUSTICS KARA
SIDE EXTERNAL LEFT+RIGHT FLY:
2 x 6 L’ACOUSTICS KIWA
SIDE GALLERY LEFT+RIGHT FLY:
4 x 4 L’ACOUSTICS 12 XT
BACK GALLERY FLY:
2 x 4 L’ACOUSTICS 12 XT
FRONT FILL STACKED:
1 x 8 L’ACOUSTICS X8
DOWN FILL LEFT+RIGHT:
2 x 4 L’ACOUSTICS KARA
2 x 4 L’ACOUSTICS SB 28 SUBWOFER
AMPLIFIERS
ACOUSTICS LA8
LOUDSPEAKER MANAGEMENT SYSTEM
2 MEYER SOUND GALAXY 816
1 LAPTOP FOR PA MANAGEMENT
1 SMAART LIVE + AUDIO INTERFACE MG 8+ REF MIC
1 DIGICO MIXER SD 7 – 96 CH IN – 32 CH OUT
1 SOUND DISTRIBUTOR 12 Ch.
1 HD RECORDER TASCAM SSR 200
1 DENON CD PLAYER
1 RADIO INTERCOM SYSTEM 6 FULL STATIONS
The length of the path for the multicore from the hall director to the stage is about 80m
1 DIGICO MIXER SD 7 – 96 CH IN – 32 CH OUT
12 WEDGE MONITOR MEYER SOUND UM-1P 12″ + 1/4″
6 I.E.M. SHURE PSM 1000
6 BODY PACK SHURE P10 R
2 L’ACOUSTICS ARCS
2 L’ACOUSTICS SB 28
2 LA 8 FINALS.
12 CH AXIENT AXT 400 RECEIVER + ANTENNA
1 ANTENNA DISTRIBUTOR
4 BODY PACK AXIENT AXT 100
8 SHURE AXT 200 HANDHELDS – 4 BETA 58A CAPSULES
alternatively
4 RADIOMICROPHONES HEADSET DPA: 4088 / LAVALIER: MKE 40
1 SHURE BETA 52 A
1 AKG D112 MK II
1 AUDIX D6
1 SHURE BETA 91
2 AUDIX D4
4 SHURE BETA 98 S
2 AKG C 451
6 SHURE SM 58
3 SHURE BETA 58
1 ELECTROVOICE RE 20
1 SENNHEISER e945
1 NEUMANN KMS 105
4 AKG C 414 XLII
2 AKG C 480
2 SHURE SM 81
4 DPA 4099
2 NEUMANN KM 184
2 SHOEPS CMC 6 – MK4
2 SENNHEISER MD 421
2 SENNHEISER e604
2 SENNHEISER e906
6 SHURE SM 57
10 D.I. BOX BSS AR 133 / RADIAL J48 ACTIVE
2 STRAIGHT MICROPHONE STANDS WITH ROUND BASE
16 HIGH GIRAFFE RODS + 8 LOW GIRAFFE RODS
All technical equipment listed is intended to be complete with power and signal cables, stage box, and anything else necessary for proper operation.
6 ROBE ROBIN DLS PROFILE
10 SHOWLINE SL BEAM 300 FX
8 MARTIN MAC AURA LED WASH
12 SHAPERS ETC 19° 750 W
1 GrandMA 2 LIGHT MIXER
Available 2 DMX 512 universes from the hall to the stage
The light fixtures are installed and arranged as per the attached light plan. Variations and additions to structures and materials will have to be agreed upon and will be the full responsibility of the users.
1 Socket 63 Amp. 380 V (Pentapolar)
1 Socket 125 Amp. 380V (Pentapolar)
(Adapter with POWERLOCK connectors can be supplied upon request)
SOCKET 16 A. 220V SINGLE-PHASE
2 SOCKET 16 A. 220V SINGLE-PHASE
A1 4 RETURNS 16 TO 220 V SINGLE PHASE
A2 4 RETURNS 16 TO 220 V SINGLE PHASE
A3 3 RETURNS 16 TO 220 V SINGLE PHASE
A4 4 RETURNS 16 TO 220 V SINGLE PHASE
A5 2 RETURNS 16 TO 220 V SINGLE PHASE
A6 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A7 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A8 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A9 4 RETURNS 16 TO 220 V SINGLE PHASE
A10 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A11 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A12 4 RETURNS 16 TO 220 V SINGLE PHASE
A13 4 RETURNS 16 TO 220 V SINGLE PHASE
A14 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A15 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A16 4 RETURNS 16 TO 220 V SINGLE PHASE
A19 1 RETURN 16 TO 220 V SINGLE PHASE+1 RETURN 32 TO 220 V SINGLE PHASE
A20 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A21 2 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A22 2 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A23 3 RETURNS 16 TO 220 V SINGLE PHASE + 1 RETURN 32 TO 220 V SINGLE PHASE
A24 1 RETURN 16A 220 V SINGLE PHASE+ 1 RETURN 32 A 220 V SINGLE PHASE
NO. 48 2 KW DIMMER CHANNELS
The pantographs on the stage, can support 70 kg evenly distributed for each individual pantograph. The load must be balanced.